Editors first
Every decision starts from the person exporting the cut at 1 a.m., not the enterprise procurement team.
In an edit, the picture lock is when the cut is signed off and frozen. That milestone is the whole point of the tool — so we named it Editlock.
Video review shouldn't punish you for collaborating. But most tools are priced per seat, so the moment you add a client, a colourist, or a second editor, the bill climbs. Freelancers and small studios end up rationing invites to keep costs down — which is exactly backwards. Review works best when everyone who touches the cut is in the room.
Editlock takes the opposite position. You pay for storage — the thing that actually costs money to run — and everyone else comes along for free. Unlimited reviewers and clients on every plan, including the free one. Editors upload cuts, clients leave frame-exact comments and approve, and you lock the version that's signed off. That's the entire loop, and adding people to it never changes what you pay.
We're an independent product built in India, for the way editors here (and everywhere) actually work — rupee-first billing, a DaVinci Resolve–friendly workflow, and support that answers like a human because a person is answering. No venture theatre, no enterprise bloat. Just a tool that does the review job well and charges fairly for it.
Every decision starts from the person exporting the cut at 1 a.m., not the enterprise procurement team.
Storage-based, rupee-first, GST done right. No seat meters, no surprise overage, no dark patterns.
A real person replies quickly. Support is the wedge — not a cost centre we try to automate away.
Clear retention, generous grace windows, and no silent deletions. We tell you before anything changes.
We're onboarding editors and studios now, and shaping the roadmap around what they tell us. Get in early.
No credit card. Unlimited reviewers on every plan.